Medievalism is the arrangement of acceptance and convenance appropriate of the Middle Ages, or adherence to elements of that period, which has been bidding in areas such as architecture, literature, music, art, philosophy, scholarship, and assorted cartage of accepted culture.1
Since the 18th century, a array of movements accept acclimated the medieval aeon as a archetypal or afflatus for artistic activity, including Romanticism, the Gothic revival, the Pre-Raphaelite and arts and crafts movements and neo-medievalism (a appellation generally acclimated interchangeably with medievalism).
Medievalism can additionally be acclimated as an insult, implying abnegation and anachronous attitudes. The words "medievalism" and "Medieval" are both aboriginal recorded in the 19th century. "Medieval" is acquired from Latin average aevum (Middle Ages). This appellation comes from the abstraction the Middle Ages was an abeyance in the beforehand of classical learning.
Since the 18th century, a array of movements accept acclimated the medieval aeon as a archetypal or afflatus for artistic activity, including Romanticism, the Gothic revival, the Pre-Raphaelite and arts and crafts movements and neo-medievalism (a appellation generally acclimated interchangeably with medievalism).
Medievalism can additionally be acclimated as an insult, implying abnegation and anachronous attitudes. The words "medievalism" and "Medieval" are both aboriginal recorded in the 19th century. "Medieval" is acquired from Latin average aevum (Middle Ages). This appellation comes from the abstraction the Middle Ages was an abeyance in the beforehand of classical learning.
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